Tugas Utama Softskill-Penerjemahan Berbantuan Komputer (2) Semester 8

Name : Fiana Isnaeni Maheda Ronie
Class : 4SA01
NPM : 12615649
Subject : Penerjemahan Berbantuan Komputer (Tugas Utama kedua)
Lecturer : Mrs. Defi Juliati

Bukan Cuma Ponorogo yang Punya Reog Melegenda, Sidoarjo Juga Punya dengan Reog Cemandi Khasnya

Teks Sumber 

Reog sendiri identik dengan Kota Ponorogo namun belum banyak yang tau Reog Cemandi adalah kesenian asli Sidoarjo. Kesenian itu muncul pada tahun 1926. Reog Cemandi berbeda dengan Reog Ponorogo. Yang membedakan adalah tidak adanya warok, dan topengnya tidak dihiasi dengan bulu merak seperti ciri khas reog Ponorogo. Irama musik yang digunakan adalah angklung dan gendang kecil.

Jumlah pemain Reog Cemandi sekitar 13 orang. Dua penari yang memakai topeng Barongan Lanang (laki-laki) dan Barongan Wadon (perempuan), enam penabuh gendang dan empat pemain angklung. Saat memainkan tarian itu, dua penari Barongan Lanang dan Barongan Wadon mengiringi penabuh gendang yang ada di tengahnya. Enam penabuh gendang itu membentuk formasi melingkar sambil mengikuti irama.

Dulunya, Reog Cemandi adalah pertunjukan yang dipakai masyarakat desa Cemandi, kecamatan Sedati untuk mengusir penjajah Belanda. Waktu itu, salah satu kyai dari Pondok Sidoresmo Surabaya, menyuruh masyarakat setempat untuk membuat topeng dari kayu pohon randu. Topeng itu dibentuk menyerupai wajah buto cakil dengan dua taring. Setelah itu, masyarakat setempat melakukan tari-tarian untuk mengusir penjajah yang akan memasuki desa Cemandi.

Selain untuk mengusir penjajah pada waktu itu, tarian tersebut juga sebagai himbuan kepada masyarakat sekitar untuk selalu mengingat Tuhan Yang Maha Esa. Anjuran itu tersirat dalam sair pangelingan (pengingat) yang dilantunkan pemainnya sebelum memulai pertunjukan. "Lakune wong urip eling gusti ning tansah ibadah ing tengah ratri" ucap Arif Juanda menirukan sair itu.

Kini, pertunjukan Reog Cemandi itu sudah berubah fungsi. Masyarakat sekitar biasa mengundang kesenian Reog Cemandi itu untuk hajatan mantenan, sunatan atau acara lainnya. Selain itu, masyarakat sekitar percaya, bahwa tarian Reog Cemandi bisa untuk menolak balak (membuang sial). "Kalau arak-arakan pasti kami yang di depan. Karena untuk menolak balak" tegasnya lagi.

Sumber : https://www.hipwee.com/narasi/bukan-cuma-ponorogo-yang-punya-reog-melegenda-sidoarjo-juga-punya-dengan-reog-cemandi-khasnya/ 

GOOGLE TRANSLATE

Not Only Ponorogo that Has a Reog of Legend, Sidoarjo Also Has a Typical Reog Cemandi

Google Translate

Reog itself is synonymous with the City of Ponorogo, but not many know that Reog Cemandi is an authentic arts in Sidoarjo. The art appeared in 1926. Reog Cemandi was different from Reog Ponorogo. What distinguishes it is the absence of warok, and the mask is not decorated with peacock feathers like the characteristic of Ponorogo reog. The rhythm of the music used is angklung and small drum.

The number of Reog Cemandi players is around 13 people. Two dancers wearing Barongan Lanang (male) masks and Barongan Wadon (women), six drummers and four angklung players. When playing the dance, two dancers from Barongan Lanang and Barongan Wadon accompanied the drummer in the middle. The six drummers formed a circular formation while following the beat.

Previously, Reog Cemandi was a performance used by the community of Cemandi village, Sedati sub-district to expel the Dutch invaders. At that time, one of the clerics from Pondok Sidoresmo Surabaya, told the local community to make masks from the woods of the randu trees. The mask is shaped to resemble a buto cakil face with two fangs. After that, the local people performed dances to repel invaders who were about to enter the village of Cemandi.

In addition to expelling invaders at that time, the dance is also an appeal to the surrounding community to always remember the Almighty God. The suggestion is implied in the sair pangelingan (reminder) that the player chants before starting the show. "Lakune wong urip eling gusti ning has been praying in the middle of Ratri" said Arif Juanda imitating the sair.

Now, the Reog Cemandi show has changed function. The surrounding community usually invites the art of Reog Cemandi for a wedding celebration, circumcision or other events. In addition, the surrounding community believed that the Reog Cemandi dance could be used to reject the balak (throwing bad luck). "We must be in front of the procession. Because we reject the balak," he stressed again.

Source: https://www.hipwee.com/narasi/bukan-cuma-ponorogo-yang-punya-reog-melegenda-sidoarjo-juga-punya-dengan-reog-cemandi-khasnya/

TRANSLATED BY MYSELF

Not Only Ponorogo that Has a Reog of Legend, Sidoarjo Also Has a Typical Reog Cemandi

Translated by myself

Reog itself is synonymous with the City of Ponorogo, but not many know that Reog Cemandi is an authentic arts in Sidoarjo. The art appeared in 1926. Reog Cemandi was different from Reog Ponorogo. What differentiated is warok, and the mask is not decorated with peacock feathers like the characteristic of Ponorogo Reog. The rhythm of the music used is angklung and tambour.

The number of Reog Cemandi players are around 13 people. Two dancers wearing Barongan Lanang (male) masks and Barongan Wadon (women), six tambourers and four angklung players. When playing the dance, two dancers from Barongan Lanang and Barongan Wadon accompanied the tambourers in the middle. The six tambourers formed a circular formation while following the beat.

Previously, Reog Cemandi was a performance used by the community of Cemandi Village, Sedati as the sub-district to expel the Dutch invaders. At that time, one of the clerics from Pondok Sidoresmo Surabaya, told the local community to make masks from the woods of the randu trees. The mask is shaped to resemble a buto cakil face with two fangs. After that, the local people performed dances to repel invaders who were about to enter the village of Cemandi.

In other hand to expelling invaders at that time, the dance was also an appeal to the surrounding community to always remember the Almighty God. The suggestion was implied in the sair pangelingan (reminder) that the player chants before starting the show. " Lakune wong urip eling gusti ning tansah ibadah ing tengah ratri " said Arif Juanda imitating the sair.

Now, the Reog Cemandi show has changed function. The surrounding community usually invites the art of Reog Cemandi for a wedding celebration, circumcision or other events. In addition, the surrounding community believed that the Reog Cemandi dance could be used to reject the balak (throwing bad luck). "We must be in front of the procession. Because we reject the balak," he stressed again.

Source: https://www.hipwee.com/narasi/bukan-cuma-ponorogo-yang-punya-reog-melegenda-sidoarjo-juga-punya-dengan-reog-cemandi-khasnya/